Scout Boys: Bishop Angus, Cole Blue and Ian Levine in ‘Troop Time, CHAPTER 6: Rope Tying’

moondoggy says:

Everyone knows that I obsess over whether the top can fuck, pull out, and shoot (or authentically shoot before pulling out) without a lot of jacking off. In this scene, there is that annoying edit between pulling out and shooting, but I will say that if the continuity was faked in the editing room, it was skillfully done. I don’t know why they call it a “watery” load in the description — that’s not a compliment, and in my view, it’s not even accurate. Cole’s load is indeed big and looks just right in terms of thickness. Also, Angus’s role here is minimal, but certainly exceeds decorative. He continues to amaze me. But at the end, they show a preview of the next chapter, where Angus is doing all of the topping and Ian keeps his jockstrap on. Ian doesn’t even appear to be aroused, and if that’s the case, I’m giving that scene a preemptive F. No one that young has any business being flaccid in a scene with a legend, I don’t care what the circumstances. But this current scene I have to say is a pleasant surprise.

moondoggy says:

I want to like Ian so much because I think he is pretty attractive, and he benefits from good costar casting. I’m not going to like him until he ups his game, but as flaws go, I prefer this to Dante Colle’s flaw of saying yes to scenes that have no hope of being any good. Dante is willing to lend his name to total garbage, whereas Ian is kind of Keanu-esque, rarely elevating a movie with his own performance but surrounding and elevating himself with the talent of other people. I think I’ve used Ashanti in that analogy before.

https://www.gaymobile.fr/wp-content/uploads/2021/01/Scout-Boys-gay-porno-19.jpg

moondoggy says:

lol @ parsley

Someone else said I was being harsh about Ashanti. I do in fact like her songs a lot, but she was such a product of the Murder Inc franchise. Someone could say the same about Janet and Flyte Time, but she had so many hits and was such a force in music video that I don’t think anyone can say anything other than that she’s not as powerful a vocalist as this or that person (which is true of a lot of hitmakers, and who cares, really). But if I’m selling Ashanti short, then I retract the snark.

The daddy/boy thing has so inseminated my brain that I can’t credibly scoff at Ian even when he’s not doing enough. Watching daddies fuck him turns me on despite my better judgment. I guess I’m repeating myself now, so I’ll shut up. Have a great weekend!

moondoggy says:

I was being a little “inside baseball” (speaking of old — that’s an ancient expression essentially meaning excessively nerdy) by referring to Flyte Tyme. That’s simply Jimmy Jam and Terry Lewis. Now if you don’t know who they are, then you must not know much music trivia! But not knowing that Flyte Tyme was their label and their production company is totally excusable. It just means you didn’t obsessively read Janet Jackson’s liner notes the way I did. I mistakenly assumed they spelled it Time like their old band when they worked for Prince, but apparently not.

Anyway, Murder Inc. was the production moniker associated with producer Irv Gotti. From 1999 to the mid 2000s, he had tremendous success with Ashanti and Ja Rule, including collaborations with J-Lo. The video version of “I’m Real” was a Murder Inc remix, and the subsequent single “Ain’t It Funny” failed to chart on the Hot 100 until Murder Inc remixed it, at which time the remix became a #1 song and was even #13 on the year-end chart and #62 on the decade-end chart. “Rainy Dayz” by Mary J Blige was also a Murder Inc collab. Long story short, Gotti was briefly as prolific as Pharrell/Neptunes, but the company was subjected to a money laundering investigation that seemingly ruined them even though they were found not guilty. I don’t know for sure if that’s what ended their success or if they had other problems, but after 2005ish, they ceased to be a real force from what i can tell.